清代唐英的戏曲创作深受与其为官的景德镇、九江等江西民间“土梨园”风格的濡染和影响,鬼神情节是他的偏嗜。他的戏曲在体制上短小精悍,体现出强烈的“宗元”意识。大胆接受并改编流行梆子腔的经典剧目或场景,杂糅昆曲与梆子、乱弹声腔,构成唐英剧作迥异于当时昆腔传奇风格的一大亮色。 In the Qing dynasty, Tang Ying’s operatic writing was deeply influenced and influenced by the style of Jingdezhen, Jiujiang and other Jiangxi folk “Pear Garden ”. The spirits plot was his preference. His drama in the system is short and pithy, showing a strong “Zong Yuan ” consciousness. Boldly accept and adapt popular pop orchids classic repertoire or scene, mix Kunqu Opera and prickly heat, chatter sound, constitute the Tang Ying drama is very different from the legendary style of the time a large bright Kunqu.