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石涛,广西人,明靖江王朱赞仪之十世孙,父亲朱亨嘉于南明隆武时期自称“监国”于桂林,为明将瞿式耜等擒获囚杀,他即于此时出家为僧,法名源济,后游历中原,晚年方定居扬州,脱离佛门。有自作诗《生平行》道出了他的生平:“生平负遥尚,涉念遗尘埃。一与离乱后,超然遂悟真。”所谓“一画”,不是指单一的一笔一画,中国画的原理,讲究每一笔画都是与作者个人的情感、心灵、灵魂、人格等具有某种神秘对应的关系符号,是“心画”的集中体现,因此石涛指出“一画者,众有之本,万象之根”,“一画者,含万物于中”。
Shi Tao, Guangxi, Ming Jingjiang Wang Zhu Zanyi’s Shi Shusun, his father Zhu Hengjia in the Ming Ming Wu Wuzhong claiming to be “supervise the country” in Guilin for the Ming Dynasty will Qu prisoners and other captured prisoners, that is, at this time he was monk, After economy, travel Central Plains, later years settle in Yangzhou, out of Buddhism. A self-made poem, “Life Parallel” tells his life: “Life is far away from being, in mind the dust left. After one and chaos, transcendent then Wu true.” The so-called “one painting” does not mean a single stroke , The principle of Chinese painting, pay attention to each stroke is the author’s personal feelings, mind, soul, personality and so has some kind of mysterious correspondence symbol, “heart painting” concentrated expression, so Shi Tao pointed out that “a painter, public There is this, the root of Vientiane, ”“ a painter, with all things in. ”