二弦是泉州南音中别具特色的乐器,也是众多拉弦乐器中很特殊的一种。它内外两条弦,用弓极为严谨,内弦拉弓,外弦推弓,回弓放空,与一切胡类乐器来回运弓截然不同。二弦两条弦系于轸头,与二胡等系于轸末也不同。二弦弓毛松弛,俗称软弓,靠右手指控制,力度要扎实;左手指按音要准确。二弦在南音中的作用,起着融合音色、衬托洞箫,弥补洞箫长音气息不足的作用,但不能喧宾夺主,所以有“箫咬弦,弦入箫”之说。随着二弦教学理论和实践的不断发展,演奏技法也日趋丰富和成熟。音色是音乐表现中很重要的手段之一,不同的音色使我们产生不同的感受,在音乐表现中通过音色对比变化的运用将更有利于思音乐情的表达。本文从演奏技法和音色处理等方面围绕展开,阐述了如何让二弦在演奏中发挥得更加淋漓尽致。 Second string is unique in Quanzhou Southern Music instruments, but also many stringed instruments in a very special kind. It is inside and outside the two strings, with a very strict bow, the bow string, the bow bow, bow back emptying, and all kinds of musical instruments shipped back and forth bow completely different. Two strings of two strings in Zhen head, and the Department of Erhu also at the end of the late Zhen also different. Second string bow hair relaxation, commonly known as soft bow, right hand control, efforts should be solid; left finger press the sound to be accurate. The role of the second string in the South Sound, played a fusion tone, set off the hole flute, make up the lack of fluffy longhorn role, but can not be overwhelming, so there is “Xiao bite string, chord into the flute,” said. With the continuous development of Erhuan teaching theory and practice, playing techniques are also becoming increasingly rich and mature. Tone is one of the most important means of music performance. Different timbre make us have different feelings. The use of tonal contrast in music performance will be more conducive to the expression of musical mood. This essay starts from the aspects of playing technique and timbre processing, and expounds how to let the second string play more vividly.