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2013年7月30日上午,由中国美术家协会主办的“卓有成就的美术史论家表彰大会”在北京举行,这次受表彰的美术史论家共25位,西安美术学院邵养德教授名列其中。邵养德先生曾以发表在1981年《美术》第9期的《创作·欣赏·评论——读〈父亲〉并与有关评论者商榷》一文,在中国美术理论界引发一场对于罗中立油画《父亲》的广泛、持久、激烈的学术论争。1993年8月,邵养德先生出版论文集《象征性自杀——从艺术评论走向美学深渊》,再次引起学术界的广泛关注。笔者不揣浅陋,
On the morning of July 30, 2013, “The Commendable Commendation for Fine Art History Operators” sponsored by the Chinese Artists Association was held in Beijing. The commended art historians a total of 25, the Xi’an Academy of Fine Arts Shao Yangde Professor among them. Mr. Shao Guide has published an article titled “Creation, Appreciation, Criticism - Reading and Discussing with the Related Critics” published in “The 9th Art of China” in 1981, The broad, long-lasting and fierce academic debate. In August 1993, Mr. Shao Yangde published his essay “Symbolic Suicide - From the Art Review to the Absurd Ancestral”, again arousing widespread concern in academia. I do not guess humble,