中国现代戏剧即将走过它的百年历史。一百年的沧桑,把一种“舶来”的西方舞台艺术,改造成为一种不可替代的民族文化的存在形式。然而,驻足今天,我们的话剧的确面临着许多新问题,它既要在全球化的文化语境中争取自主的生存权力,又要在日益商业化的社会环境里保持独立的艺术品性;既要在尊重传统的前提下继承并不丰厚的家底,又要在谋求发展的目标下寻找存在的合适位置;既要背负意识形态意义上的启蒙责任,又要抵御消费主义浪潮中的思想迷失。进入21世纪以来,话剧面临着文化市场的挑战,生存的危机感并没有解除,反而有所加剧。 Chinese modern drama is about to walk through its century-old history. Hundreds of years of vicissitudes have transformed a kind of “imported” Western stage art into an irreplaceable form of national culture. However, nowadays, our drama does face many new problems. It must not only strive for its own right of subsistence in a globalized cultural context, but also maintain its independent artistic character in an increasingly commercialized social environment. Both Under the premise of respecting tradition, we should inherit the wealthy family background while seeking development. We should find an appropriate place for existence under the goal of seeking development. We must shoulder the ideological enlightenment responsibility and resist the lost thoughts in the wave of consumerism. Since the beginning of the 21st century, drama has faced the challenge of a cultural market, and the sense of crisis of survival has not been lifted. On the contrary, it has intensified.