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《红楼梦》的性别视角一直是一个争论不休的话题。作品表现出来的推崇女性、同情女性以及其他许多较为明显的女性主义倾向,使女性主义视角成了许多研究无需证明的前提。但其实“女性”这一概念是被作者做了象征化处理的。推崇女性只是男性文人精神追求的寄托,同情女性本身又带有很强的男性审美意味,而其他的一些看似女性主义萌芽的表象又是与理论不相符的。因此可以说,虽然《红楼梦》的焦点是女性的,但它的视角兼立足点却是男性的。
The gender perspective of “Dream of Red Mansions” has been a topic of constant debate. The works show the esteem of women, sympathy for women and many other obvious feminist tendencies, so that the feminist perspective has become a prerequisite for many studies without proof. But in fact, the concept of “female” is symbolized by the author. Praise of women is only the spiritual pursuit of male literati sustenance, compassionate women themselves with a strong aesthetic taste of men, while some seemingly feminine appearance is not consistent with the theory. Therefore, it can be said that although the focus of the Dream of Red Mansions is female, its perspective and its foothold are men’s.