灾难文学常常诞生于大的自然灾难之后,比如德国作家克莱斯特的《智利地震》和日本作家村上春树的《青蛙君救东京》。我国当代作家秦岭创作的《透明的废墟》,是我们看到的第一篇反映汶川地震的小说,故本刊一并发表。汶川大地震发生后,很多作家奔赴灾区,创作了大量纪实作品。给读者以震撼。当时间慢慢沉淀下来,伤痛沉潜心底,我们期盼更加有思想深度和审美力量的文学作品。 Disaster literature is often born after major natural disasters, such as the Chilean writer Kleist’s “earthquake in Chile” and the Japanese writer Haruki Murakami’s “Frog Prince Save Tokyo.” The “transparent ruins” created by the contemporary writer Qinling of our country is the first one we saw that reflected the Wenchuan earthquake. After the Wenchuan earthquake, many writers went to the disaster area and created a large number of documentary works. To readers to shock. As time slowly settles down and the pain hurts, we look forward to more literary works of ideological depth and aesthetic power.