一、工笔重彩的语言风格流变新石器时代云南沧源的原始岩画、秦代咸阳宫殿遗迹的重彩壁画和东汉时期酒泉的墓道砖绘彩画是重彩画最初的语言形式。而最为世人所赞叹的甘肃敦煌莫高窟重彩壁画、新疆克孜尔壁画等,表现出了先民卓越的用色技巧与率真的情感。由于其颜料特殊,所以历久弥新,散发出宝石般的光彩,成就了中国绘画中具有相当特殊性与代表性的画种。工笔重彩画作为一种成熟的绘画形式,在战国时期的帛画《人物龙凤图》中展露了雏形。简约、流利的墨线勾勒,流露着 First, the meticulous rhetoric of language style The Neolithic primitive source rock paintings of Cangyuan in Yunnan, Xianyang Palace relics of the re-color murals and the Eastern Han Dynasty, Jiuquan’s tomb brick painting is the first heavy color painting language form. The Mogao Grottoes in Dunhuang, Gansu, and the Kizil murals in Xinjiang, which are most admired by the world, have shown their excellent color skills and true feelings. Because of its special pigment, it is a time-honored, exudes a gem-like luster, the achievements of Chinese painting has a very particular and representative paintings. As a mature painting form, the heavy tainted painting shows its embryonic form in the silk painting “Figure of Dragon and Phoenix” in the Warring States Period. Simple, fluent ink outline, revealing