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在铃木忠志执导的悲剧《酒神狄俄尼索斯》之中,法治精神既带有群体觉醒的人格独立的特征,又具备了社会警醒的现实意义,由此也成为构建全剧人文基体的关键要素。在独具“物哀”意蕴的东方美学环境的烘托之下,法治思想充分释放出了冷峻、理性而又充满热望的震撼力和共鸣力。在戏剧行业全球一体化趋势日益凸显的背景之下,应全面鉴析《酒神狄俄尼索斯》中的法治精神,归纳、汲取其中可取的表达策略,有针对性地更新戏剧行业的运作模式,从而推动戏剧艺术的跨文化、跨地域发展。
Among the tragedy “Dionysian Dionysus” directed by Suzuki Tadashi, the spirit of the rule of law not only brings about the personality independence of group awakening, but also possesses the realistic meaning of social vigilance, which has also become the basis of constructing humanities and cultural bases Key elements. In contrast with the oriental aesthetic environment which has the unique meaning of “material sorrow”, the thought of the rule of law has fully released the shocking force and the resonance force with solemn, rational and full of expectation. Under the background that the globalization trend of the theater industry is increasingly prominent, the spirit of the rule of law in “Dionysian Dionysus” should be thoroughly analyzed, and the desirable expression tactics should be summarized to update the operation of the drama industry in a targeted manner Model, thus promoting the cross-cultural and trans-regional development of theatrical arts.