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在当代音乐中,广博而令人眩目的音材料及其组合方式以崭新的面貌呈现在人们面前,那么,如何对其本质特征加以揭示呢?有别于传统和声理论,霍华德·汉森在其《当代音乐的和声材料》一书中,对此问题进行了广泛而详细的研究。作者通过在最大程度上使十二平均律中所有音材料及其可能有的组合方式和关系系统化,并对合音的由来,其组成部分及其在乐音世界中的地位作出细致的描述和合乎逻辑的解释,从而对上述问题给予了圆满的回答。作者旨在于不仅使作曲家重新认识音乐语言,且在创作过程中把握音材料及其组合,关系的规律。而且为致力于研究音材料的理论家们提供了一个可供比较的模型和更
In contemporary music, the vast and dazzling sound materials and their combination are presented to people with a brand new appearance. How to reveal its essential characteristics? Unlike traditional harmony theory, Howard Hansen In his book “Harmony Materials of Contemporary Music,” a comprehensive and detailed study of this issue has been conducted. By systematizing to the greatest extent possible all the sound materials and their possible combinations and relationships in the twelve-mean law and by elaborating on the origin of the co-ordination, its components and its place in the musical world Logical explanation, thus giving a satisfactory answer to the above questions. The author aims to not only enable composers to re-understand the musical language, and in the process of writing to grasp the sound material and its combination, the relationship between the law. But also provide a comparable model and more for the theorists working on sound materials