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一、陶城之记忆孩提时的我,已习惯家中老祖宗以陶人自称,已习惯他只爱做陶这一件事。祖父烧窑时那凝神屏气、全神贯注,翘首以盼的神情。在我心中只产生一个念头:做陶美!陶人美!以至此后经常不自觉的跟在祖父后头研究起陶的“美学”。各种陶的器物的造型与釉色、其宁静和单纯的美感时时打动着我……。时至今日,唯有那份美丽历历在目,心头的震撼历久弥新。情不知所起,造就了少年的我与铜官陶艺的难舍情缘。
First, the memory of Tao Cheng childhood I have become accustomed to the ancestors of the family Tao people claiming to have been accustomed to him only love to do pottery. When the grandfather burned kiln that breath-hold, preoccupied, looking forward to the look. In my heart only produced a thought: Do Tao Mei! Tao Manmei! Even after often unconsciously with his grandfather study of Tao “aesthetics ”. All kinds of pottery utensils and glaze color, its quiet and pure beauty touched me from time to time ... .... Today, only the share of beautiful and vivid, my heart shook forever. I do not know the situation, created a juvenile Tongguan pottery and I am reluctant sentiment.