上海是中国水彩画的重镇,也是中国水彩画的发源地。水彩画作为舶来品,其进入中国衍变和发展的百年,也佐证着上海水彩画的传承和变革的历史。自19世纪60年代初至20世纪40年代末,在上海绘画史上有着重要意义的徐家汇土山湾馆,孕育着水彩移植中国的初萌,用以传播教义的天主教宗教画,咸了教授水彩、铅笔、擦笔、木炭、油画的题材。今天看来,无论当年 Shanghai is the center of Chinese watercolor painting and the birthplace of Chinese watercolor painting. As a imported product, watercolor has entered the century of evolution and development in China. It also supports the history of Shanghai watercolor inheritance and transformation. From the early 1960s to the late 1940s, the Xujiahui Tu Shanwan Pavilion, which is of great significance in the history of Shanghai painting, nurtured the early Meng of watercolor transplanting in China, the Catholic religious paintings used to spread the doctrine, the professor of watercolor, the pencil , Erase pen, charcoal, oil painting theme. It seems today, no matter the year