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曾几何时,和珅还是老百姓眼里、心里的乐儿,“我是有点坏,可是我还比较可爱”,几部戏说下来,和珅的矮胖形象也颇有观众缘。现如今可是一个偶像的时代,连几十年前的希区柯克都严肃地声称:塑造角色的关键是把反面人物塑造好。衣冠楚楚,绅士气十足的反派,不知迷倒了多少女性或男性的观众。可见反派的作用之重,魅力之大,足以盖过正角,更岂是跑龙套般的丑角所能望其项背的!虽然和珅已经很有号召力,但要撑起一个王朝,偶像的重新包装便势在必行了。于是乎,那个矮冬瓜奸臣摇身一变,翩翩美男子的政治家便从银幕上走到了观众的眼里。连刘墉也沾了些许小光,告别“刘罗锅”,还我堂堂一表男儿来。 我笑故我在,这句颇有后现代调侃味道的名
Once upon a time, and 珅 is still the eyes of ordinary people, my heart music, “I’m a bit bad, but I am still more cute,” a few play, and 珅’s short and plump image also quite spectators. Now an idol era, even Hitchcock, a few decades ago, solemnly claimed that the key to shaping a character is to shape the wrong people. Well-dressed, full of gentle militants, I do not know how many female or male fans of the audience. It can be seen that the role of the villain is that the charm is so great that it can cover the positive angle and even the clownish clown can look forward to it! Although Harmony is already very appealing, it is necessary to prop up a dynasty and an idol repackage It is imperative. Ever since, that short-lived melon traitor resurfaced, handsome American politician went from the screen to the audience’s eyes. Even Liu Yong also touched a little Xiaoguang, bid farewell to “Liu Luo pot”, but also my demeanor a man to. I laugh so I am, this sentence is quite the name of postmodern ridicule