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作为从事音乐理论教学与研究的工作者,读完李娜《一代风华唱新篇——新时期民族声乐女歌唱家艺术风格研究》一书后,感触良多,启示不少,收获颇丰。自“声乐”这一音乐名词传入中国发展至今,对其分类沿用最多的就是美声唱法、民族唱法和通俗唱法,笔者也是站在认同此说法的基础上浅谈自己对民族声乐的看法以及对本书的感悟与体会。李娜,一名歌者,一位高等师范院校的民族声乐教育者,从其(自身)专业学习、教学与舞台艺术实践活动作为
As a practitioner engaged in music theory teaching and research, after reading Li Na’s “A Generation of Fan Hua Singing a New Style - A Study of the Artistic Style of the National Vocal Female Singer” in the new era, she felt a great deal of inspiration and received a great reward. Since the introduction of “vocal music” into China until now, most of its classification is bel canto, national singing and popular singing, and I also stand on the basis of agreeing with this view on my opinion of national vocal music As well as the understanding of the book and experience. Li Na, a singer and a national vocal music educator at a higher normal university, from her (own) professional learning, teaching and stage art practice activities