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2013年,上海沪剧院约请我创作沪剧《敦煌女儿》,4月初,安排我去敦煌研究院采访主人公原型、敦煌研究院院长樊锦诗。最早知道樊锦诗,是在电视里。一部纪录片,有一组展现她在莫高窟里端详壁画的镜头。她举着手电,凝望一处,凝神静气,久久不动,久久无语,像人定老僧一般,仿佛全然忘掉了身外的世界。见此情景,我不由在心中感叹:老太太,好安静啊!后来,查阅资料得知,樊锦诗原本是一位江南女子,祖籍杭州,生于上
In 2013, the Shanghai-Shanghai Theater invited me to create the Shanghai opera “Dunhuang Daughter.” In early April, I arranged for me to go to the Dunhuang Academy to interview the protagonist, and Dean Fan Dunshi of the Dunhuang Research Institute. Fan Jingshi first known, is on television. A documentary, there is a group to show her in Mogao Grottoes looking at the details of the lens. She held a flashlight, staring at a place, restless, long time no fixed, a long time silent, like a man fixed monk general, as if completely forgotten the world outside. See this scene, I can not help but lament in my heart: the old lady, so quiet! Later, access to information that Fan Jin was originally a southern woman, native of Hangzhou, was born