《终局》是塞缪尔·贝克特继《等待戈多》之后创作的又一部戏剧力作。虽然这部作品初演时曾备受冷遇,但贝克特戏剧所具有的丰富内涵没有因为出演时的冷遇而消解,相反这部戏剧得到了广泛好评。已有研究多从戏剧的节奏、现代戏剧风格、解构主义等视角对这部作品进行了评析,但未能论及作品中的伦理观,本文拟分析这部作品如何体现贝克特的存在主义伦理观。 “The End” is another dramatic masterpiece created by Samuel Beckett after “Waiting for Godot.” Although this work was initially very cold reception when it was first performed, the rich connotation of Becket’s drama was not resolved by the cold reception of the play. On the contrary, the drama was widely acclaimed. Many researches have analyzed this work from the perspectives of the rhythm of the drama, the style of modern drama, and deconstruction. However, this essay tries to analyze how this work embodies Beckett’s existentialism ethics View