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“文学会不会消亡”这个问题的出现并非无缘无故,而是随着当今时代中国社会的大变革——尤其是由计划经济向市场经济的转型和电子媒介的革命性变化而提出来的。这些大变革的确对文学造成巨大的、难以估量的冲击,现在仅仅是开始。应该正视电子媒介时代由于令人难以想象的技术发展和惊人进步,由于社会历史实践、政治、经济、文化所发生前所未有的巨大变化,如米勒所说文学的存在和成活的条件被改变,因而文学似乎被12级地震震得房倒屋塌、晕头转向,文学显得很狼狈,常常不知所措;但是,并非如米勒、德里达所说“文学的时代”走到头了。文学不会消亡。文学不死的理由,事实上牢牢掌握在它自己的手中——因为决定文学命运的终究是它固有的、特定的人文本性和人文价值,特别是它拥有自己的特点:内视性,即文学的内视的审美情景,内视的审美形象。这就是文学不能够被其他的东西,被图像,被影视完全取代的最根本原因。
The emergence of the question “Will literature disappear?” Is not without cause. Instead, with the great changes in Chinese society in the modern era, especially from the planned economy to the market economy and the revolutionary changes in the electronic media of. These big changes have indeed caused a huge and immeasurable impact on literature, which is only the beginning. Due to unimaginable technological developments and amazing progress in the era of electronic media, great changes have taken place in social and historical practices, politics, economy and culture as never before. As Miller said the conditions for the existence and survival of literature have been changed, Literature seems to have been collapsed and struck by the earthquake of magnitude 12, and the literature seems embarrassed and often overwhelmed. However, not as Miller and Derrida put it, “The Era of Literature” came to an end. Literature will not die out. The reason for the literary undead is, in fact, firmly in its own hands - for the final determination of the fate of literature is its intrinsic and specific humanistic and humanistic values. In particular, it possesses its own characteristics: internal perspective, that is, literature The aesthetic scene of the endoscopy, the aesthetic image of the endoscopy. This is the most fundamental reason why literature can not be completely replaced by other things, images and films.