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《美术研究》2010年第3期发表了题为《“发须长才能短”的塞尚》的文章,作者借用塞尚对绘画艺术“不知道该怎么画”的一些困惑——以及一些个人偏见,企图挑战艺术史的正确性和权威性,并且凭借自己的无知与偏见得出结论,——“人们制造了一个塞尚的神话,把塞尚捧到了天上。”从而否定了西方艺术史对于塞尚的定位,也将西方艺术史说成是“充分展示翻云覆雨历史话语权的悲喜剧”。文章中明显的错误无处不在,对于学术研究不谨慎,甚至断章取义却又妄加评论,并将塞尚的绘画艺术作品评价为“不过是一些追慕古典绘画而又力有不逮的
”Fine Arts Research“ 2010 the third issue of the title ”“ hair must be short ”Cezanne“ article, the author borrowing Cezanne painting art ”do not know how to draw“ some of the confusion - - as well as some personal biases in an attempt to challenge the correctness and authority of the art history and draw conclusions by their own ignorance and prejudice - ”People made a Cezanne myth that holds Cezanne in heaven.“ ” Thus denying the positioning of Western art history to Cezanne and also describing Western art history as “a tragedy and comic drama that fully displays historical and discursive power.” The obvious mistakes in the essay are ubiquitous, cautious about academic research, even vain criticisms of the art, and the evaluation of Cezanne’s paintings as "nothing but a catch-up with classical paintings.