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本文从“本情”的实质、意义两方面展开,分析了松尾芭蕉之“本情”的思想内涵——承认对象物中有与天地根源相通的固有生命,主张在主客合一之境中寻求创作的最高境界,这与庄子的“形全精复,与天为一”的中国传统审美认识异脉同源,即排除一切主观意识,返回自然的心态,心与物交,达到物我合一的精神境界。松尾芭蕉就是将这一基本精神创造性地融会到日本俳句的创作当中,提炼出“本情”这一俳谐精神。
This article starts with the essence and meaning of “nature ”, analyzes the connotation of “nature ” of Matsuo Basho ’s recognition of object ’ s inherent life which is connected with the root of heaven and earth, Seeking the highest level of creation in the realm of environment, which is different from the Chinese traditional aesthetic understanding of Zhuangzi, that is, eliminating the subjective consciousness and returning to nature Pay, to achieve the spiritual realm of my unity. Matsuo banana is to creatively integrate this basic spirit into the creation of Japanese haiku, refining the harmonious spirit of “nature”.