本文就中国电影在叙事演进上的经典性与现代性,给出了一种探讨。特别肯定了第五代创作者对中国镜像现代性重构所作的努力;继则论及20世纪90年代初,出现了一种拒绝深刻的“泛娱乐化”倾向;再有就新世纪伊始这几年文化语境的变化,以《天狗》等新作为代表,从现代视角来关注现实,出现了现实主义回归的新趋势,描述了这些作品在将现实主义与现代性互融、对接上的可喜探索和创作生机。 This article gives a discussion on the classic and modernity of Chinese film in the evolution of narrative. In particular, he affirmed the efforts made by the fifth generation of creators for the reconstruction of China’s modern image. Following that, in the early 1990s, a tendency toward “pan-entertainment” was rejected. At the beginning of the new century, Several years of cultural context changes, with “Tenguang” and other new as the representative, from a modern perspective to pay attention to reality, there has emerged a new trend of realism regression, describes the work of these works in the realism and modernity blending, docking Pleasing to explore and creative life.