西方艺术史上,曾发生过三次素描与色彩何者为本何者为末的论争。虽然每次论争均以素描和色彩为表象,但其深层内涵却不尽相同。此外,细究之下亦不难发现,即便是在三次论争的过程之中,“素描”与“色彩”之间也存在着对立与融合的双重状态,对当今的艺术创作颇具启示意义。 In the history of Western art, there have been three controversies over the three sketches and colors. Although every argument is based on sketches and colors, its deep connotation is not the same. In addition, it is not hard to find under the fine study that even in the process of the three arguments, there is a dual state of confrontation and integration between “sketch ” and “color ”, which is quite enlightenment to the present artistic creation significance.