歌曲的稿酬是按字数或行数来计算的,一首歌不过二、三十元。据说施光南去世后收到的最后一笔稿费才10元钱。与之相比,歌曲的演唱者、音像制作者的收入高出几十倍甚至几百倍。这是文化艺术界典型的分配不公现象。著作权法的一个重要使命就是要解决这个问题。 Song remuneration is calculated by the number of words or lines, a song, but two or thirty yuan. It is said that after the death of Shi Guangnan received the last draft only 10 dollars. By comparison, singers and audiovisual producers earn tens or even hundreds of times more money. This is a typical unfair distribution of injustices in the arts and culture. An important mission of copyright law is to solve this problem.