迟子建的《额尔古纳河右岸》以无数死亡的叙事建构起民族的历史,而在死亡叙事与深情回溯的缝隙中,展现的不仅是少数民族游猎文化在现代性文化面前必然溃败的命运,还有现代性文化拯救的某种虚妄。失去了民族文化的依托,自我的灵魂就会无所皈依。这也是对儒家文化传统在现代性文化面前命运的思考。 Chi Zijian’s “Right Bank of the Ergun River” constructed the history of the nation with numerous death narratives. However, in the gap between the death narration and the affectionate retrospective, not only does the minority hunting culture show its inevitable defeat in the modern culture Fate, as well as some kind of falsehood of modern cultural salvation. Lost the reliance on national culture, self-soul will be converted. This is also a reflection on the fate of the Confucian cultural tradition before a modern culture.