我从1989年开始至今,已发表粤剧艺术评论文章50多篇,其中有相当部分是从美学的角度评论粤剧艺人的表演的。美有多种形态,从艺术的表现来看,有秀美、壮美、悲剧美、喜剧美等。我在《试析曹秀琴粤剧表演中的秀美形象》一文中,把曹秀琴看作是粤剧舞台上秀美的典型。至于壮美方面,我评论过白燕仔的《武松打虎》、《夜战马超》等。在写桂名扬时,重点是他主演的《赵子龙》,还延伸到梁荫棠、小神鹰主演的《赵子 Since 1989, I have published more than 50 articles on the art of Cantonese opera, and a considerable part of it has commented on the performances of Cantonese opera artists from an aesthetic point of view. There are many forms of beauty, from the artistic point of view, there are beautiful, magnificent, tragic beauty, comedy beauty. In my article “Trying to Analyze the Beautiful Image in the Performance of Cao Xiuqin’s Cantonese Opera”, I think of Cao Xiuqin as a typical example on the stage of Cantonese opera. As for the magnificent, I commented Bai Yanzai’s “Wu Song tiger”, “night war Ma Chao” and so on. In writing Gui Yan Yang, the focus is on his starring “Zhao Zilong”, but also extends to Liang Yin Tong, a small hawk starring "Zhao