谈晋剧《小宴》翎子功——兼谈传统审美观念与现代意识的沟通

来源 :戏曲艺术 | 被引量 : 0次 | 上传用户:karrou
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
因工作关系,有许多的机会欣赏晋剧表演艺术并接触晋剧表演艺术家,目前晋剧界那种刻苦好学、广取博收、勇于革新的精神,以及对兄弟剧种、姐妹艺术贪婪的吞噬、强烈的消化能力,使我为之震惊。就以受到广大戏曲爱好者好评的《小宴》来说,其翎子功表演技巧的创新,以及情与理,形与神、意与境有力的结合,都达到了一定的艺术水平。同老一辈表演艺术家相比,其翎子功所表现的时代感、观念感、艺术感,都跨入了一个崭新的阶段,使人大有新艺术崛起的感觉。因此,老年观众看了感到新,中年 Due to the working relationship, there are many opportunities to appreciate the performing arts of the Jin opera and to contact the performing artists of the Jin opera. At present, the kind of painstaking study, broad acceptance and courageous reform in the Jin Opera industry, as well as the greedy devour and intense digestion of the brother operas and sisters art Ability, so I was shocked. As for the “little feast” praised by the majority of opera fans, the innovation of his performance skills as well as the combination of emotion and reason, shape and spirit, meaning and environment have reached a certain artistic level. Compared with the elder generation performing artists, his sense of time, sense of concept and sense of art represented by Ling Zigong have stepped into a brand-new stage and made people feel the rise of new art. Therefore, the elderly audience saw a new, middle-aged
其他文献
官话德、陌、麦三韵入声字音变侍建国前言本文讨论的德、陌、麦三韵入声字包括下列两类字:曾摄一等德韵:北、墨、得、德、特、肋、则、贼、塞、刻、黑、国、或梗摄二等陌韵:百、