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李渔的白话短篇小说《十二楼》所具备的奇巧特征,在他的小说命名、情节的构建上都得以展现,而他这种刻意求奇的动机一方面有其戏曲美学思想的影子,一方面则与自身生活需求紧密相关,因而增加了小说的娱乐性,达到娱人耳目的效果。李渔在继承以往话本小说创作的基础上求奇求新,除了增加小说创作的趣味性和扩大小说的题材范围之外,还加大了对情的展现,一些大胆的话语叙述和情节设置对后世小说的创作尤其是言情类小说的创作产生了较大的影响。
Li Qi’s vernacular novel “twelfth floor” possesses the unique characteristics of his fiction naming and plot construction can be demonstrated, and his motives for deliberately quirky on the one hand has the shadow of his drama aesthetics, one Aspects are closely related to their own life needs, thus increasing the entertainment of the novel to achieve the effect of entertainment. Based on the inheritance of previous calligraphic novels, Li Yu pursued novelty and novelty. Apart from increasing the interest of novel creation and expanding the range of subject matter of the novel, Li Yu also increased the expression of emotions, some daring discourses and episodic settings Later generation novels especially the creation of romance novels have a greater impact.