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夏昌世、莫伯治两位前辈早在20世纪60年代已经指出了“岭南庭园”与“园林”的本质区别。由于岭南庭园占地规模很小,且多受建筑界面的限制,常见简单规整式的功能性平面布局,与北方皇家园林和江南私家园林有很大的区别,必然导致其建筑立面具有异常明显的“微雕化”和“透雕化”的艺术表现特征。主要表现在两个方面:一方面,岭南庭园会竭尽所能、穷其变化、以小见大地营造丰富性的空间,以构建“芥子”“壶中”的意境,即“微雕化”的特征。同时,这种空间的丰富
As early as the 1960s, Xia Changshi and Mo Boji two predecessors pointed out the essential difference between “Lingnan Garden” and “Garden”. Due to the small area of the Lingnan Garden and its limited construction interface, the common functional layout of simple formalities is very different from the royal gardens in the north and the private gardens in the south of Jiangnan. This will inevitably lead to the unusual appearance of the building façade “Micro-carved ” and “open carved ” art performance characteristics. There are two main aspects: On the one hand, the Lingnan Garden will do its utmost to make its own changes, and create a rich space for the seemingly small earth so as to create the mood of “mustard” and “pot”, that is, Micro-carved "features. At the same time, this space is rich