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先锋主义文学和艺术实践是20世纪下半叶俄罗斯文学发展的内在需求与动力源泉。50年代诞生的“切尔特科夫诗歌小组”和“斯莫格小组”开启了反社会主义现实主义文学和官方意识形态的先锋艺术实践,“利阿诺佐沃”小组和社刺艺术通过消除语言的文化附着意义,消除语言能指和所指的关系揭示苏维埃神话的虚假性,成熟的观念主义则着力于重新构建语言和现实的关系,试图用语言赋予现实真正的意义。整个先锋主义文学在20世纪下半叶的发展深刻探究了语言和现实的指称关系,在否定之否定的扬弃中重新恢复语言的称名功能,让世界和现实回归最本真的意义。
Avant-garde literature and artistic practice are the internal sources of demand and motivation for the development of Russian literature in the second half of the 20th century. The “Chertkov’s Poetry Group” and the “Smogroup”, which were born in the 1950s, opened the avant-garde art practice of antisocialist realism and official ideology, and “Leanozovo” The group and social art through the elimination of the cultural attachment of language meaning, the elimination of the language signifier and the relationship between the Soviet Union to reveal the myth of falsehood, mature conceptualism is focused on the reconstruction of language and reality, trying to use language to give reality Meaning. The development of the entire avant-garde literature in the second half of the 20th century profoundly explores the referential relations between language and reality and regains the linguistic naming function in the negative negation of negation, so as to return the world and the reality to the most essential meaning.