论文部分内容阅读
本文将建国以来中国钢琴艺术理论著作从教学、演奏以及艺术史三方面进行分类,并将各大分类和其分支中有代表性的理论书籍的特点做了罗列、介绍和分析,试图通过这些收集和整理来展现我国钢琴艺术在著作理论研究方面的基本情况,从而引出一些思考。抛砖引玉,拟将我国钢琴艺术事业的理论研究领域的重要性提升到更重要的地位。
This article classifies the theoretical works of Chinese piano art since its founding from the aspects of teaching, performance and art history. It also lists, describes and analyzes the characteristics of the major categories and the representative theoretical books in its branches. And finishing to show our piano art in the theoretical study of the basic situation, which leads to some thinking. It is proposed to raise the importance of the theoretical research field of piano art in our country to a more important position.