试论黑格尔艺术理论中文艺与读者关系的思想

来源 :学术论坛 | 被引量 : 0次 | 上传用户:speedieke
下载到本地 , 更方便阅读
声明 : 本文档内容版权归属内容提供方 , 如果您对本文有版权争议 , 可与客服联系进行内容授权或下架
论文部分内容阅读
黑格尔是德国古典唯心主义美学的集大成者。作为一位美学家,他超越了以往任何美学家,使美学成为一门完整的历史科学,作为一个艺术理论家,他在《美学》中以艺术作品为核心,从作品与艺术家、作品与世界、作品与读者(观众)等角度,对艺术的审美特性进行了深入的研究,提出了一系列深刻而独到的艺术见解。黑格尔关于艺术美的特征、艺术与艺术家、艺术与世界等方面的美学思想,曾受到研究者们高度的重视,至于他关于作品与读者方面的一系列精辟的思想,至今似乎还没引起人们足够的注意。其实,黑格尔在这方面的艺 Hegel is a master of German classical idealism aesthetics. As an esthetician, he surpassed any previous aestheist and made aesthetics a complete historical science. As an art theorist, he focused on works of art in “Aesthetics”, from works and artists, works and the world , Works and readers (audience) and other aspects of the aesthetic characteristics of the art conducted in-depth study, put forward a series of profound and unique artistic insights. Hegel’s aesthetic thoughts on the characteristics of art beauty, art and artist, art and world have received great attention from researchers. As for his series of brilliant ideas about his works and readers, it seems that so far no one has caused people Sufficient attention. In fact, Hegel art in this area
其他文献