戏曲现代戏剧本创作的“戏曲化”要从两个方面努力:一是在形式上,一是在人物描写上。下面,就现代戏如何恰当地运用戏曲这一特殊的戏剧形式方面谈点意见。 先从现有的现代戏剧本结构谈起。 “话剧加唱”已是我们同行一致公认的一个不够戏曲化的形式。它的缺点是仅仅部分地运用了戏曲“唱”这一手段,其他方面仍然是话剧的。解放后,我们为了吸收话剧真实的布景,创造了一种折衷的演出形式,那就是先是在二 The “dramatization” of the modern dramas in the opera should try hard in two aspects: first, on the form, on the description of the characters. In the following, we will talk about how the modern drama properly uses the special drama form of drama. Start with the existing structure of modern drama. “Singing Drama” is an unverified form unanimously recognized by our colleagues. Its disadvantage is that it only partially uses the means of “singing” opera, but the other aspects are still drama. After the liberation, in order to absorb the real scenery of the drama, we created a compromise form of performance, that is, first in two