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百花奖的诞生 1960年初,中央总结反“右派”、大跃进以来的失误,开始调整国民经济和对知识分子的政策。1961年6月,中共中央宣传部召开了全国文艺工作座谈会。同期,文化部召开了“全国故事片创作会议”。在这两个会上,周恩来总理尖锐地批评了文艺领导的思想僵化,奉行“一言堂”、“五子登科”和滥扣“白专道路”的帽子。指出文艺理论上的一些“左”倾思想。强调了要艺术民主、尊重艺术规律、解放思想,改进艺术领导等问题。中宣部副部长周扬也批评了大跃进中某些影片的概念化、简单化。号召电影要创 “四好”(即故事好、演员
Birth of the Hundred Flowers Prize At the beginning of 1960, the Central Government summarized the mistakes made by the anti-Rightist and the Great Leap Forward and began to readjust the national economy and the policies on the intellectuals. June 1961, Propaganda Department of the CPC Central Committee held a national literary and art work forum. The same period, the Ministry of Culture held a “national feature film creation conference.” At these two meetings, Premier Zhou Enlai sharply criticized the rigid ideological leadership of the literary and art circles and pursued the hat of “one courtroom”, “Five-child Boarding” and excessive deduction of the “white school road.” Pointed out some “leftist” thoughts in literary theory. Emphasized the need for art democracy, respect for the laws of art, emancipate the mind, improve the art leadership and other issues. Zhou Yang, vice minister of the Central Propaganda Department, also criticized the conceptualization and simplification of certain films during the Great Leap Forward. Call for the film to create “four good” (that is, the story is good, actor