“荒漠中的黄昏,绵延起伏的沙丘,残阳在逆光中呈现出黄褐色。远处一匹奔驰的骏马,踏着飞溅四起的浮沙,远看像一阵阵白灰色的雾,伴随着骏马有规律的运动节奏(摄影采用升格,长焦拍摄、叠画技巧)在暖色调的背景中,画面更显得洒脱、飘逸,构成一幅生动、立体的画面视觉形象和鲜明的西部风格……。1990年4月”这段创作札记是陶龙在影片《双旗镇刀客》外景地采风时的随感,它记录了作曲家创作前内心的音乐萌动,正是这样一 “Dusk in the desert, rolling dunes, the sun posed in the backlight yellowish brown .A distant Mercedes-Benz horse, marching splashing four floating sand, far from the waves of white gray fog, accompanied by the horse Regular movement rhythm (photography with up, telephoto shooting, overlapping techniques) in the background of warm colors, the picture is more free and easy, elegant, form a vivid, three-dimensional picture visual image and a distinct western style ... .... April 1990 ”This writing is Taolong in the film" Shuangqi Town knife off the scenery picks when the wind, which records the song before the composer inner music sprout, it is such a