传统以来,中国绘画一直以文人为核心,寄寓着文人的哲理与史观。传统绘画所强调的笔墨,不单是形式的表现,更是文人回应历史,将文化传统延续与更新的有效手段。至于题材、款识、构图等,亦无不发展出特有的模式,蕴含着文人的学问与价值标准。因此,传统绘画具有强烈的民族特性,亦带有浓厚的精英阶层品位。然而,当传统文人的社会结构于20世纪初渐趋崩溃之后,加上西方文化的影响,中国绘画遂出现前所未有的改变。时至今日,中国画坛已出现了多元的现象。坚守传统表现模 Since the tradition, Chinese painting has always been centered on literati, which embodies literary philosophy and historical values. The ink and brush emphasized by traditional painting is not only a manifestation of form, but also an effective means for scholars to respond to history and extend and renew their cultural traditions. As for the theme, paragraph identification, composition, etc., all without exception also developed a unique model, contains the scholars of scholarship and value standards. Therefore, traditional painting has a strong national identity and a strong elite taste. However, after the social structure of the traditional literati collapsed in the early 20th century, coupled with the influence of Western culture, Chinese painting was on an unprecedented change. To date, the Chinese painting scene has seen a variety of phenomena. Adhere to the traditional model of performance