当代音乐研究的两级不断向着高度技术化和向高度哲理化发展的两端延展,观察的方式上将向高度宏观的概括和极端微观的分解延伸。作为一种发展的、动态的认识手段,音乐研究的方法和途径也必然随着时代的进步不断推陈出新。我们站在高度信息化时代21世纪的今天,回望20世纪的音乐诸风格和流派,如序列音乐、音色音响音乐、频谱音乐、模型音乐、电子音乐及先锋派音乐等,当代音乐有着多元的发展特征,有着向数字化、微观化、图形化发展的新特点,即有着情感 The two levels of contemporary music research will continue toward a highly macro-level generalization and an extreme micro-decomposition extending toward both highly technologically oriented and highly philosophical development and observation. As a kind of developing and dynamic means of cognition, the methods and approaches of music research are also bound to keep pace with the progress of the times. Today, in the 21st century, we look back at 20th century music genres and genres, such as sequence music, tonal sound music, spectrum music, model music, electronic music and avant-garde music, etc. Today’s music has a diverse Development characteristics, has the digital, micro, graphical development of new features, that is, with emotion