中国文学的现代转型进程并不仅仅是一个“获得”的过程,同时也是一个“丢弃”和“失落”的过程。中国文学“新质”或者“现代性”的获得显然得到了持久而全方位的关注,而对于这一历史进程中所甩脱的“旧物”或者失掉的“旧基”则明显关注不足。学界近年来对于新文化、新文学的对立面——文化保守主义价值的重估,正是意识到了上述单一视角的不足,力图从正、反两方面把握这一历史转型进程的复杂性和多样性。但是潜在的“五四立场”又往往使得 The process of modern transformation of Chinese literature is not merely an “acquisition” process, but also a process of “discarding” and “losing”. Obviously, the acquisition of “new quality” or “modernity” of Chinese literature has apparently received a long-lasting and omnipotent attention. However, for the legacy of “old things” or lost “in this historical process ”Is obviously concerned about the lack of. In recent years, scholars have re-evaluated the value of cultural conservatism against the new culture and new literature precisely because of the lack of such a single perspective and tried to grasp the complexity and diversity of the process of historical transformation from both positive and negative aspects . But the potential “May Fourth stance ” often makes