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在徐小国近年的绘画实践中,“纹”分布在三个维度上。在最直观的层面上,“纹”表现为他绘画中的条纹。从2012年开始,徐小国的工作逐渐从图像意义及美学趣味层面的绘画修辞实践,深入到了对纯粹视觉问题的研究。绘画中的诸多视觉问题渐渐成为了他工作的重心,而空间与平面的关系又成为了其中的核心。他开始使用条纹来干扰绘画中的视错觉空间,如在“衣架”系列中,他首先通过对具体形象的几何简化来突出某种绘画的程式性,
In Xu Xiaoguo’s painting practice in recent years, “pattern ” is distributed in three dimensions. At the most intuitive level, “streaks” appear as streaks in his paintings. From 2012 onwards, Xu Xiaoguo’s work has gradually gone from the image meaning and aesthetic rhetoric painting rhetorical practice, deeply into the study of pure visual problems. Many visual problems in the painting gradually became the focus of his work, and the relationship between space and plane became the core. He began to use stripes to interfere with the illusion of space in the painting, as in the “Hanger” series, he first highlighted the stylistic nature of a painting by the geometric simplification of specific images,