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她的诗歌以独有的自我内省线路,彰显着独特的个性,又从事物的内在关联切入,表达着自己的情感与认知。“诗歌,是可以自由的艺术,它不是话语,它是‘语’想表达而不能的‘话’。”她与她的文字以“真”的面孔出现在蒙古国诗坛,让人不由想起俄罗斯于1912年出现的阿赫玛托娃。她以诗歌的自由式将感情的爆发与隐忍,执着与厌弃,刚强与柔情,平静与骚动,还给了灵魂的自由式。
Her poetry with unique self-introspection lines, highlighting the unique personality, but also from the inherent relevance of things cut into, expressing their feelings and cognitions. “Poetry is the art of freedom, it is not discourse, it is the word of ’language’ that can not be expressed. ” She and her text appear in the world of Mongolian poetry One could not help but think of Akhmatova in Russia in 1912. Her poetry freestyle will be emotional outbreak and tolerance, perseverance and rejection, rigidity and tenderness, calm and commotion, returned to the soul of the freestyle.