气韵生动,这一画法原则,在中国传统画论及盆景理论中,意义重大,为历代画家和盆景家所推崇。它既稍带神秘色彩,又较难以理解。它是盆景创作的首要目的,同时,又是对作品评价的标准。但这一法要较抽象,难以言传。五代杰出山水画家荆浩,对于“气韵”解释道:“图画之要,与子备言:气者,心随笔运,取象不惑。韵者,隐迹立形,备遗不俗……”这几句话简洁地阐述了自己的情感、气 Vivid atmosphere, the principle of this painting, in the traditional Chinese painting theory and bonsai theory, is of great significance, praised by ancient painters and bonsai. It is slightly mysterious and difficult to understand. It is the primary purpose of bonsai creation, at the same time, it is the standard of evaluation of works. However, this method should be more abstract and unspeakable. Jing Hao, an outstanding landscape painter of the Five Dynasties, explained to “Qi Yun”: "The important part of the picture and the sub remark are as follows: These few words succinctly expounded their feelings, gas