论文部分内容阅读
1981年,举办“第一届全国交响音乐作品评奖”,从参评的94部(首)作品中评出优秀奖6部,优良奖12部,鼓励奖17部。获奖作品35部(首),为参评作品的37％,其中交响曲仅有两部,即陈培勋的第二交响乐《清明祭》(获优秀奖)和盛礼洪的交响乐《海之歌》(获鼓励奖)。其它均为交响组曲、协奏曲、交响诗及序曲等作品。这表明作为纯音乐的最高表现形式——交响曲——当时还未能引起作曲家们的普遍重视。 1994年,举办“第八届全国音乐作品(交响音乐)评奖”,从参评的98部(首)作品中(均为1981年第一次交响乐评奖以来的作品)评出一等奖2部,二等奖3部,三等6部以及创作奖22部。获奖作品计33部,为参评作品的33％。引人注目的是
In 1981, “The 1st National Symphony Music Composition Award” was held. Out of the 94 pieces of the first (selected) entries, 6 outstanding awards, 12 excellent awards and 17 encouragement awards were awarded. The winning entries are 35 (first), 37% of the entries, of which there are only two symphonies, namely Chen Peixun’s second symphony “Ching Ming Festival” (Outstanding Award) and Sheng Lihong’s symphony “Sea Song” (encouraged prize). Other are symphonic Suite Concerto, symphonic poem and Overture works. This shows that as the highest form of pure music - the symphony - yet failed to arouse the universal attention of composers. In 1994, “Eighth National Music Composition (Symphonic Music) Award” was held and two first-class prizes were awarded out of the 98 (first) works (both since the first symphony award in 1981) Second prize 3, third 6 and creative award 22. 33 winning entries for the participating works of 33%. It is noticeable