建构中国当代叙事学 ,应克服西方偏见和东方局限 ,树立起“世界文学”的博大胸襟。明清小说评点家们创造的中国小说“读法” ,与儒道禅中的重体验、重直觉、重诗化的体验审美心理学有着深厚的渊源 ,包含了中国智慧 ,是中国式的文本批评。西方叙事学以语言学的理论原则作为解读文学作品的先在的逻辑出发点 ,是文本批评的现代形态。它们各自发现了文本的不同的性质侧面 ,而从更高的层面上看 ,文学本体是人的本体的全面展开 ,语言和心理都体现了人的本体存在。因此 ,从人的本体存在出发 ,就能将西方的语言美学与东方的体验美学沟通起来 ,建构起一个新的具有普遍意义的叙事学理论体系。本文论述了中西融合的叙事学体系的整体设计 To construct China’s contemporary narratology, we should overcome western prejudice and the limitations of the East and establish a broad mind of “world literature.” The “Reading Method” of Chinese novels created by critics in Ming and Qing dynasties has deep roots in the experience of heavy aesthetic, heavy intuition and re-poetic experience of aesthetic psychology in the Confucianism, Buddhism and Taoism. It contains Chinese wisdom and is a Chinese version criticism. Western narratology takes the theoretical principles of linguistics as the logical starting point for interpreting literary works and is the modern form of textual criticism. They each found the different nature of the text side, and from a higher level, the literary ontology is the full development of human noumenon, language and psychology all reflect the existence of human noumenon. Therefore, proceeding from the existence of human ontology, we can communicate the western language aesthetics with the eastern experience aesthetics and construct a new theoretical system of narratology with universal meaning. This article discusses the overall design of the narrative system of Chinese and western fusion