傅抱石先生绘画艺术成就是多方面的。除绘画外,书法、篆刻、美术史论教育与研究等,都卓尔不群。其综合的艺术成就体现在对绘画的各个环节,如构图、意境、技法、墨色、纸笔均苦心经营;画后的款题、钤印,都饱养学识、运用自如,以求诗文书画印的完美统一。傅抱石先生胎息于我国款题艺术的优秀传统,诠释画境、抒发胸襟。对古代的传统形式变而化之,不拘一法、灵活变通。其款题基本分款、题两部分,有画名、题记、款、印等几个艺术元素。可单落名款,亦有款题皆全。具体到每幅画作上,款题的组合形式也因画面内容而异,各有不同。常见有大段的散记、有题上自己考定美术史著、美术史实的心得和成果、有在少部分画作上记事遣怀、有对自己作品的评价、还题有对纸笔墨等杂评等。 Mr. Fu Baoshi’s artistic achievements in painting are manifold. In addition to painting, calligraphy, carving, history of art education and research, are all different. Its comprehensive artistic achievement is reflected in all aspects of painting, such as composition, artistic conception, technique, ink color and paper and pen are painstakingly managed; after the painting of the title, Yin India, are full of knowledge, the use of ease, in order to poetry painting India’s perfect unity. Mr. Fu Baoshi fetal birth in China’s title art excellent tradition, interpretation of the painting, express their feelings. The traditional form of the ancient changed, one way, flexible. The title section of the basic sub-section, title two parts, a painting name, inscription, paragraph, India and several other art elements. Can be a single name, but also the title all. Specific to each painting, the title of the combination of forms also vary depending on the screen content, each different. There are a large number of common short notes, there are questions on their own examination of art history, the history of art experience and achievements, with a small part of the paintings on the memory of the memory, there is evaluation of their works, but also the title of paper and ink and other miscellaneous reviews Wait.