文章从儒道合一的美学思想，逸狂交织的审美意象，外淡内浓的诗歌意境三方面论述了陶渊明的诗歌创作．由于儒道两种美学观的对撞产生了新的合力，推进了逸和狂两种情感的渲泻，用平淡和醇浓的对立统一，创造了真善美的境界。 The article discusses Tao Yuanming’s poetry creation from the aesthetic ideas of Confucianism and Taoism, the esthetically intertwined aesthetic image and the poetic artistic conception of inner lightness and inner concentration. As a result of the collision of Confucianism and Taoism, the two kinds of aesthetics have created new synergies and promoted the two emotions of ease and agitation. With the unity of opposites of dullness and mellowness, the true, the good and the beautiful are created.