黄宾虹先生作为传统中国画四大家之一,其绘画最大的特点,就在于金石书法用笔风格的融入。他在山水画创作中揉入了金石碑学的用笔,在流畅的画笔运行中,加入金石刻文的迟涩和凝重,营造出“内美静中参”的境界。本文通过对黄“金石入画”的特点由来进行阐述,结合金石古文的风格来对黄作品中“金石入画”的力与美进行赏析,提出黄宾虹将中国画的笔墨提炼推进到极致,作为既有创作实践又有理论建树的大师,其称号是当之无愧的。 Mr. Huang Binhong as one of the four major traditional Chinese painting, the greatest feature of his painting, lies in the pen calligraphy style into Jinshi. In the creation of landscape painting, he rubbed the pen of gold stone inscription into the realm of smooth painting, adding the lateness and dignity of stone engraving in the smooth brush operation. This article elaborates the characteristics of Huang ’s “Into the painting ”, analyzes the power and beauty of Huang ’ s “Into the painting ” combined with the style of the ancient stone ’s prose, puts forward Huang Binhong to push the brushwork of Chinese painting to the extreme, As a master of both creative practice and theory, its title is well deserved.