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本文着重于二战后的世界设计发展史,从现代主义与后现代主义入手,分析二者的不同特点以及发展演变历史,然后以日本的双轨道设计与北欧斯堪的那维亚设计为例,来说明好的设计不仅仅是将公众消费需要与大批量工业生产相结合,将艺术方式与工业技术相统一的社会实践活动及产物。更应该是综合社会、文化、生理、心理、经济、技术、艺术审美的种种成分因素、力求帮助人们生活得更加舒适的产物。
This article focuses on the history of world design after World War II. Starting with modernism and postmodernism, this article analyzes the different characteristics of both and the history of their evolution. Taking Japanese dual-track design and Nordic Scandinavia design as examples, To illustrate a good design is not just a combination of public consumption needs and high-volume industrial production, the arts and industrial technology will be unified with the practice of social activities and products. It should be a product that integrates various elements of social, cultural, physical, psychological, economic, technological and artistic aesthetics and seeks to help people live a more comfortable life.