袁威清新近寄来的一批陶艺新作,给我一个突出的印象,除属于他的豪放风格外,更融进了近年来许多对陶艺本质语言的深层把握和理解:一种完全超脱传统规范的感觉把握。从他一系列的“蛋糕”和“游戏”作品中我们很容易感受到这点。他反对传统陶瓷中的工艺性和匠气,在泥土与任意刮、戳、挖、贴、吹等做肌理的手段,主张创作过程中的内心冲击和即兴、自由的发挥、不规则、不对称、甚至瑕疵、开裂,都是可以接受的美学观念。在做陶艺过程中,他凭借自己的感受,而不刻意地用特别的观念,也正是因为不是直接的追寻任何形式,往往会在制作过程中不期而遇地把东西做好,当作品感觉完成了,似乎如同发现了什么。题为“蛋糕”系列的作品,恐怕连他自己也想象不至烧成后会有这样的效果,逼真的色彩和形式足以使人垂涎。大概这要归功于作者良好的感觉操作。 Yuan Weiqing recently sent a new batch of pottery work, giving me a prominent impression, in addition to his style of boldness, but also into the many in recent years, the basic language of pottery deep grasp and understanding: a completely detached from the traditional norms Feeling sure. We can easily feel this from his series of “cake” and “game” productions. He objected to the traditional craft of ceramics and artisanal, in the soil with any scraping, stamping, digging, sticking, blowing, etc. to do the means of texture, advocating the creative process of the inner impact and improvisation, free play, irregular, asymmetric , Even flaws, cracking, are acceptable aesthetic ideas. In the process of doing pottery, he by virtue of their own feelings, but not deliberately with a special idea, it is because not directly pursue any form, often in the production process to do something by accident, as the work Feeling done, it seems as if something was found. Titled “Cake” series of works, I am afraid even his own imagination will not be fired after such an effect, vivid colors and forms enough coveted. Probably thanks to the author’s good feeling of operation.