清初画坛,诞生了一位“革新派”大师石涛,一位“正统派”大师王原祁。天意使他们同时出生在壬午年属马,也同样给予这对良驹宝马以超人的艺术天赋。五十年后他们完成了不同的人生经历和艺术修炼,各自怀着不同的绝技才艺,遵旨奉命于燕京为康熙王朝施才献艺。这次的邂逅除了在画史上留下了一幅他们合作的水墨丹青《墨竹》外,更珍贵的是为后人留下了一段王原祁对石涛绘画的评语:“海内丹青家不能尽识,而大江以南当推石涛为第一,予与石谷皆有所未逮。”这段评语如今看来对石涛的绘画无关紧要,然而对反驳王原祁正统派大师“泥古不化”的批判,对王原祁真实 Early Qing Dynasty painting altar, was born a “reformist” master Shi Tao, a “orthodox” master Wang Yuan Qi. Divine Providence made them born at the same time a horse belonging to the same year, also gave this pair of good fortune BMW superhuman artistic talent. Fifty years later, they completed different life experiences and artistic practices, each with different skills and abilities, and were obliged to devote themselves to Yanjing’s sacrificial virtuosi for the Kangxi Empire. In addition to this encounter in the painting left a history of their cooperation Danqing “ink bamboo”, the more precious is left for later generations Wang Yuan Qi Shi Tao painting comments: “Dan Danqing can not afford to know , While the south of the river is the first one to push Shitao and the one to Shigu. ”This comment now seems irrelevant to Shi Tao’s painting. However, Criticism of Wang Qi Qi real