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从文人音乐和西方艺术音乐、道释与西方历史中重要名家思想来谈论,在“音乐”概念上中国分有声及无声,西方基本上为有声;在有声范围,中国音乐以声腔延绵为特点,西方音乐以固定音高音值的主题中心展开为特点;价值观上释道推崇无声至和之乐,西方推崇大师有声作品;行为上道释采取坐忘、禅定等方法抵达至和,西方人则以感性体验方式进行审美;言说上中国古代经典文献有特殊逻辑,体现做的哲学的特点,西方无论结构还是解构路径的研究,多为说的哲学,遵循普通语言逻辑。中西历史及当下均有一些相通的思想,现代均出现中性化走向。
From the perspectives of literati music and western art music, Daoist interpretation and important Western thought in the history of the world, China is divided into voices and silences in the concept of “Music ”, and the West is basically a sound; in the voiced range, Western music is characterized by the development of the theme center of fixed pitch and sound value; the value-proposition respected the silence and harmony, the West respected the master’s voice work; Aesthetic experience is expressed by perceptual experience. Speaking of ancient Chinese classical literature, there are special logics that reflect the characteristics of philosophy. The study of both the structure and the deconstruction in the West is mostly philosophical and follow the logic of common language. There are some similarities and differences between the history and the present in both China and the West. Neutral trends have emerged in modern times.