撰写大为的工作就是在撰写一个世界。理解一个世界有不同的角度,在大为这里,我们的旅程可以从多重点出发。如果您起始于某一个元素,比如色彩,那么您就位于平面和立体之间,像在载体的材料和工具之间,之后,深入到色粉笔粉尘的非物质性区域,并在一幅中国山水画的草图剪影处结束。另一次,另一处,可能是一组重新排列的图书馆书籍,按照书脊的颜色而不是按照这些书的内容。色彩在这里是材料和客体,被用于绘画组织和空间研究,而不用来绘画。 Writing a great job is to write a world. There are different perspectives to understanding a world, and here we can make our journey proceed from multiple points of view. If you start with an element, such as color, then you are located between the plane and the solid, like between the material and tools of the carrier, then deep into the non-material area of ​​the chalk dust, Landscape sketch sketches at the end. On the other hand, there may be another set of rearranged library books, based on the color of the spine rather than on the contents of these books. Colors here are materials and objects that are used for drawing organizations and space research, not for painting.