长久以来,对杨逵小说是有争议的,其思想性得到人们的推崇,而对它的艺术性则多有微词,似乎杨逵文学的不朽地位全是由其作品所表现的“非文学”意义而建立起来的。然而,正是由于杨逵用他的小说形象化地反映了社会的真实,才能使它们具有“别样的吸引力”、“真情直逼人心”的力量。同时,杨逵小说人物形象的塑造毫无矫揉造作,完全是放在社会生活的实践中加以刻画。正因为如此,人物性格随着生活的改变、认识的加深而有所发展变化,人物形象就不是平面的而是立体的。杨逵小说基本上继承了中国传统小说的表现方法,但他并不墨守成规,而是能够借鉴和吸收中外现代文学的滋养,尤其注重以多种手法来丰富现实主义创作。 For a long time, there was controversy about Yang Zhi’s novels, his ideology was respected by people, and his artistry was much criticized. It seems that the immortal status of Yang Xie’s literature was entirely established by the non-literary meaning of his works of. However, it is precisely because Yang Jiao uses his novels to vividly reflect the realities of society in order to make them have a “different kind of attractiveness” and “the truth is in line with the people’s heart.” At the same time, the characterization of the characters in Yang T’ang’s novels is entirely irrefutable and is completely portrayed in the practice of social life. Precisely because of this, the personality of a character changes and develops with the deepening of life changes and deepening of understanding, and the character image is not flat but three-dimensional. Yang 逵 novels basically inherit the performance of traditional Chinese novels, but he does not stick to rules, but can learn from and absorb the nourishment of modern Chinese and foreign literature, with particular emphasis on using a variety of techniques to enrich the creation of realism.